High Fidelity (2000) — Crew
Production
- Victoria Thomas — Casting
- Tim Bevan — Producer
- Rudd Simmons — Producer
- Demetra Diamantopoulos — Location Manager
- D.V. DeVincentis — Co-Producer
- Wendy Weidman — Casting Associate
- John Cusack — Co-Producer
- Alan Greenspan — Executive Producer
- Liza Chasin — Executive Producer
- Steve Pink — Co-Producer
- Joan Altman — Production Accountant
- Kim Taylor-Coleman — Casting Associate
- Mike Newell — Executive Producer
- Brendan Donnison — ADR Voice Casting
- Billy Higgins — Unit Production Manager
Writing
- Steve Pink — Screenplay
- D.V. DeVincentis — Screenplay
- Scott Rosenberg — Screenplay
- John Cusack — Screenplay
- Nick Hornby — Novel
Art
- David Chapman — Production Design
- Thérèse DePrez — Production Design
- Terry Baughman — Construction Coordinator
- Nicholas Lundy — Art Direction
- Derrick Kardos — Graphic Designer
- Larry Lundy — Set Decoration
- Joel Prihoda — Leadman
- Timothy W. Tiedje — Property Master
- Michael D. Gianneschi — Assistant Property Master
- Ronald Kane — Construction Foreman
Editing
- Mick Audsley — Editor
- John Stanborough — Color Timer
- Mags Arnold — First Assistant Editor
- Kate Higham — First Assistant Editor
Sound
- Howard Shore — Original Music Composer
- Adrian Rhodes — Sound Re-Recording Mixer
- Diane Greaves — Foley Artist
- Michael Redfern — Foley Editor
- Peter Joly — Supervising Sound Editor
- Shari Johanson — Music Editor
- Michael Higham — Supervising Music Editor
- Ted Swanscott — Foley Mixer
- Kathy Nelson — Music Supervisor
- Carl Fischer — Boom Operator
- Terry Isted — Foley Mixer
- Jason Swanscott — Foley Artist
- Danny Longhurst — Dialogue Editor
- Petur Hliddal — Sound Mixer
- Clare Mahoney — Foley Artist
Camera
- Seamus McGarvey — Director of Photography
- David Morenz — First Assistant Camera
- Melissa Moseley — Still Photographer
- Art Bartels — Key Grip
- William R. Nielsen Jr. — Camera Operator
- Daniel W. Fuller — Second Assistant Camera
- Chad Erickson — Camera Intern
- Michael Lange — Best Boy Grip
- Fernando M. Briones — Dolly Grip
Costume & Make-Up
- Jeanne Van Phue — Key Makeup Artist
- Heather Pollock — Costumer
- Phillip Ellman — On Set Dresser
- Jennifer Jobst — Costume Supervisor
- Gina Panno — Costumer
- Laura Bauer — Costume Designer
- Margaret Morettini — Assistant Costume Designer
- Laura Connolly — Key Hair Stylist
- Naomi Donne — Makeup & Hair
Directing
- Aiman A. Humaideh — Second Assistant Director
- Jeffrey Wetzel — First Assistant Director
- Chiemi Karasawa — Script Supervisor
- Anne Berger — Second Second Assistant Director
Crew
- Tania Blunden — Post Production Supervisor
- Susan Hegarty — Dialect Coach
- Rick LeFevour — Stunt Coordinator
- Chris Nolte — Stunt Double
- Will Gatlin — Craft Service
- A. Welch Lambeth — Transportation Coordinator
- Robert Byrnes — Set Medic
- Edward J. Reardon — Set Medic
- Patricia Newby — Set Medic
- Michael Cronin — Set Medic
- Elizabeth Miller — Loader
- Thomas Coe — Stunt Double
- Ed Rak — Score Engineer
- Louise Spencer — Unit Publicist
- William T. Hogan III — Transportation Coordinator
Lighting
- Robert Swander — Best Boy Electric
- James A. Miller — Gaffer