Believe It or Not (Second Series) #11 (1932)
This entry of the series does not feature Robert Ripley, who is away gathering material on his tours. Leo Donnelly narrates various odds and ends like a church service held on a river in boats, one of the largest sculptures in the world, sand art in bottles and a man who pulls cars with his hair. This episode also has a greater amount of "critter" material: chickens learn to be aquatic thanks to a training duck, another hen adopts puppies as her own, the Australian platypus is discussed and a motorized blacksmith and we see a horse with double-hoof. Vitaphone No. 1410.
Genre: Documentary
Runtime: 8 min
Release Date: June 11, 1932
Cast
- Robert L. Ripley - Self
- Leo Donnelly - Narrator (voice)
Production: Warner Bros. Pictures, The Vitaphone Corporation
Country: United States of America
Language: English
Original Language: en
More Films in Genre: Documentary
Frequently Asked Questions
- What is Believe It or Not (Second Series) #11 about?
- This entry of the series does not feature Robert Ripley, who is away gathering material on his tours. Leo Donnelly narrates various odds and ends like a church service held on a river in boats, one of the largest sculptures in the world, sand art in bottles and a man who pulls cars with his hair. This episode also has a greater amount of "critter" material: chickens learn to be aquatic thanks to a training duck, another hen adopts puppies as her own, the Australian platypus is discussed and a motorized blacksmith and we see a horse with double-hoof. Vitaphone No. 1410.
- Who stars in Believe It or Not (Second Series) #11?
- Believe It or Not (Second Series) #11 stars Robert L. Ripley, Leo Donnelly.
- How long is Believe It or Not (Second Series) #11?
- Believe It or Not (Second Series) #11 has a runtime of 8m (8 minutes).
- What genre is Believe It or Not (Second Series) #11?
- Believe It or Not (Second Series) #11 is a Documentary film.
- Where was Believe It or Not (Second Series) #11 produced?
- Believe It or Not (Second Series) #11 was produced in United States of America.